I hesitate to post this on April Fool's Day, because really, I ain't fooling! Lately it seems I can't pick up a book that I don't end up loving. I am on a reading roll, I tell ya!

So what books have I recently read that I can't shut up about? Here they are:

1) THE LOCK ARTIST by Steve Hamilton
Michael might be mute, but he is also a genius–at safe-cracking. This novel intertwines his tragic history and his evolution as a lock artist, able to open even the toughest safe. Sure, he can't talk, but Michael is one of the most compelling voices I've read in a long time, and his story is even more compelling.

2) A FIELD OF DARKNESS by Cornelia Read
Talk about compelling voices. I can't get enough of Madeleine Dare, Cornelia Read's protagonist. Her take on life is unique, given her family history. As Madeleine says, "our money is so old it ran out." In this novel, Madeleine learns a chilling family secret and sets out to find the truth.

3) THE CRAZY SCHOOL by Cornelia Read
This is the second Madeleine Dare novel, and it's even better than the first. Madeleine really shines in this story as she takes a job as a teacher in a school for kids with mental illness. Turns out, the whole damned school, administration and all, could use a shrink.

4) THE COLD KISS by John Rector (in progress)
I swear, I cannot read this book fast enough. The setting is familiar, almost has a Bates Motel feel to it. But the characters are as unique and creepy as they come. I am truly loving this book.

If you're looking for something good to read, you can't go wrong with any of these four books.

 

At least that's what author Darrell James said to me on Facebook today. I believe him.

The first of which I speak is sending out my first agent query for DIARY OF BEDLAM. I did that yesterday, and I've sent two more today. I guess I'm gonna keep doing that until one of them falls at my feet and begs to represent me.

Wait, wha…? I'm sorry, I dozed off there for a second. I must've been dreaming. Hope I didn't say anything foolish while I was out.

It feels wonderful to finally send DIARY OF BEDLAM (well, at this point, just a synopsis of it) out into the real world. For so many months, or years, actually, I struggled for it all to come together. Then one weekend *poof*–the novel was finished. Now it's not just finished, it's polished.

And you know what? I AM SO PROUD OF IT.

I know it's rude to use all caps–it's considered shouting. But if I had a taller ladder I'd climb up to my roof top and shout this to the world:

FASTEN YOUR SEAT BELTS, READERS, BECAUSE BEDLAM IS ABOUT TO BE UNLEASHED.

Or something like that.

Since I don't have a taller ladder, I'll probably just sit here hitting the refresh button on my email and checking my spam folder until I get a response from an agent.

 

One of my goals in 2011 is to write more short stories. So when Chuck Wendig at Terrible Minds issued the Irregular Creatures Flash Fiction Challenge, I figured I'd give it a shot.

Here it is, 993 words.

AN IRREGULAR PROWL

Jimmy Ward noticed the police cruiser’s flashing lights in his rear view mirror before he heard the siren. He reached for the item on the passenger seat and shoved it underneath without taking his eyes off the road, then dutifully pulled off to the side. He lowered the car window, rested his elbow on the sill and attempted to appear calm, despite the adrenalin that had been running through his veins since the night before.

The cop took his time making his way to Jimmy’s car. When he bent forward and peered through the window, Jimmy noticed an angry purplish scar running down the left side of his face, stretching from temple to mouth. His nametag read “BRADLEY.”

“License, registration, and insurance, please,” Bradley said.

Jimmy removed his sunglasses and looked the cop in the eye, but said nothing.

From a young age, Jimmy knew he was special. All it took was a look in the mirror to see that. His otherwise ordinary face featured one dark brown eye and one translucent blue eye. His mother called him her ‘irregular creature,’ and while the nickname seemed rather unkind for a boy of six, he embraced it.

His gaze took adults and children aback and he’d learned to use their discomfort to his advantage. He’d spent a lifetime getting over on people; coaxing girls to sleep with him, getting out of tickets, convincing teachers to give him better grades than he deserved. Once, he even talked his way out of an arrest when he was caught stealing a bike from a rack near the beach. His talents had improved since then, but he still relied on his strange looks to keep as many steps ahead of others as he could.

Now, as Bradley stared at him with small, squinty eyes, Jimmy waited for the slight hesitation that always happened when someone saw him for the first time. But Bradley’s pause lasted longer than most; so long that Jimmy’s confidence waned. He thought about the item under the seat and squirmed.

“Is there a problem, Officer?” Jimmy asked.

“You neglected to stop for pedestrians at the crosswalk,” Bradley said.

Pedestrians, Jimmy thought. What pedestrians? He hadn’t seen them, but even so, it seemed like a dickish reason to pull someone over. He felt for his wallet in his back pocket, but it wasn’t there.

After a moment of panic, he remembered he’d put in his backpack when he’d left home the night before. Relieved, He turned and reached toward the back seat.

Officer Bradley stiffened and moved his hand to his holster.

“What are you doing?”

“It’s in my backpack,” Jimmy said. Bradley watched as Jimmy felt around for the backpack, but the back seat was empty.

Where the fuck was it? He realized what must’ve happened, and felt the blood drain from his face. He must’ve forgotten the backpack at the scene last night. Fuck, fuck, fuck.

“I left the backpack at home,” he said. “My license is in it.”

Bradley scowled. “Registration?”

Jimmy opened the glove compartment and picked through it. He knew the document was also in his wallet, but thought the search would buy him time to think about what to do.

Jimmy’s penchant for manipulation had evolved over the years into a career as a small time con man. When times were lean, he resorted to hot prowling, enjoying the rush he got when he entered houses he knew to be occupied better than breaking into empty residences. Armed with an eye for small, valuable items he could easily transport in his backpack, he got in and out quickly, never leaving a trace. He could make a lot of quick cash, but knowing the increased danger of arrest, he’d been careful not to make it a habit.

But last night, everything had fallen apart.

He’d prowled a neighborhood unencumbered by pesky streetlights. He peeked into rear windows, searching for just the right place. In one house, a young woman stood in a bedroom with her back to the window, perusing a bookshelf. She selected a book and left, and Jimmy took his chance. He opened the unlocked window and dropped his backpack on the floor. He climbed in himself just as the woman re-entered the room.

She grabbed a perfume bottle from the bedside table and hurled it at him. He raised a hand to block it and ran toward her, catching her by the arm as she tried to run away. A moment later, she stumbled down the hall screaming while he remained in the same place, holding a piece of flesh-colored plastic.

Jimmy had a direct view of the front door, and he saw the woman as she skidded toward it, one arm waving wildly in the air while her stump just hung there. She opened the door and ran, yelling, into the street. With no time to spare, Jimmy escaped through the window and sprinted through the neighbor’s backyard. He ran to relative safety, still gripping the plastic arm.

With Officer Bradley growing impatient, Jimmy knew he had to act fast. If the police had his backpack, they knew his identity. He closed the glove compartment and shrugged.

“Must be in my backpack too.”

“Step out of the car, sir,” Bradley said.

Jimmy sighed and made like he was about to do as he was told. Instead, he started the car and pulled out onto the busy street, knocking Bradley over and grazing an oncoming car. Breaks squealed and horns honked, but Jimmy just stepped on the gas and drove.

Hours later, a near-empty gas tank forced him to stop on a lonely stretch of highway leading to a town he’d never heard of. He felt under the passenger seat and pulled out the prosthetic arm. He examined it, wondering if he could sell it and make some cash.

Nah. He lowered the window, heaved it out into the darkness, and left to find a gas station.

Yesterday, whilst revising the end of DIARY OF BEDLAM, I realized I’m not profiscient in writing fight scenes. Actually, it wasn’t the first time I realized it. When Mick read an early draft of the mansuscript one of his first comments was how bad one of my fight scenes was. That one has since been re-written and now it works, but there is still polishing to do on the final scene.

What is it about writing a fight scene that’s difficult? I can’t get the choreography straight in my mind. I’m not able to visualize them the way I visualize other types of scenes. Maria Alexander, my friend and also a writer, advised me A) to learn to fight and B) watch a lot of fight scenes to get a feel for it.

So that’s what I’m doing this morning. Watching and studying fight scenes. And although I probably won’t use the moves seen here in my own scenes, here are a few of my favorites:

 

 

 

 

Questionmark Since I'm in the process of plotting my second novel, the question of outlining (or not) is on my mind. I asked my friend Kelli Stanley, author of 2010 LA Times Book Prize finalist CITY OF DRAGONS, whether she is an outliner:

KS: Do I outline? Yes and no. It's complicated. 🙂

I use a rough outline to break down the story into acts or parts. CITY OF DRAGONS–and all the Miranda books–are constructed on a five act play structure. A contemporary thriller I'm working on is built on three acts.

Certain things need to happen at certain points along the way, and the division helps me make sure they do. I then break down the acts into chapters, and set a page limit for the chapters themselves.

As I write, I narrow the focus, so the outline becomes more detailed. But I never get too specific, Curse-Maker-3D-199x300 particularly at the beginning, because one of the primary joys in writing–for me–is the process of discovery. I like the freedom of letting characters develop themselves, steal scenes, and I love the thrill of the unexpected–I like to be surprised as much as a reader would. At the same time, crime fiction demands a certain pace, which itself constricts and expands depending on the scene, your goals, and the stage you are in the plot. Writing an outline keeps me focused on those elements–it reminds me of what's next, and acts as the spine of the novel–which I can then flesh out with much more freedom, knowing that key plot elements are planned ahead.


Kelli Stanley is the award-winning author of NOX DORMIENDA, CITY OF DRAGONS, and most recently, THE CURSE-MAKER.

So yeah. You may have heard I finished DIARY OF BEDLAM. After giving it a good read-through, I can confirm that I love it. It is everything I wanted it to be.

Sure, it still needs some polishing. I have my own notes, and now I'm waiting on feedback from my beta readers to see what they think. But the key word here is "waiting." I don't want to touch the manuscript again until I get their comments. When I do, I will re-emerse myself in it so I can start shopping that puppy ASAP.

But waiting means I have a little time on my hands to plot my next novel. Initially I thought I'd jump right into the sequel to DIARY OF BEDLAM. But I also want to write a stand alone and a short story. Sure, a more disciplined person could do both, but in case you haven't been reading this blog over the years, I AM NOT THAT PERSON. I'm a one-project-at-a-time girl.

There's a novel I've wanted to write for at least ten years which takes place in contemporary Santa Monica. After spending so much time in 17th century London, I kind of think it might be time to put that old adage "write what you know" into practice. Then again, it has a male protagonist. What do I know about being a dude? Still, it explores a theme I'm interested in: what happens when you accidentally kill another human being? What does that feel like? How do you live with yourself?

But truth be told, I'm reluctant to leave Isabel Wilde (DOB's protagonist) and her world for any length of time. I'd really like to get a jump on the sequel by the time I'm looking for an agent.

Not that I'm complaining. Life is damned good right now, and it's nice to have choices.

(Okay, so after thinking about it, I'm 99% sure I'm going to start on the sequel to DOB. Stay tuned).

 

Yesterday, I posted on Facebook that I'd just typed THE END on the latest draft of my novel, DIARY OF BEDLAM.

What does this mean?

It means that I've got a finished novel, folks. A complete manuscript that tells a story from A to Z. It means I've got a novel I'll let others read.

Most importantly, it means that I've accomplished one of the the biggest goals of my life. I've dreamed about writing a novel since I was a teenager. And now I've done it. Frankly, that makes me feel a little weepy.

What does it not mean?

It doesn't mean it's perfect yet. It won't be ready to shop until I get and possibly incorporate reader feedback (some of which I've already done, but never on the complete novel). I think it's pretty damned good, but I'm also pretty sure it's not ready for publishing yet.

It will need some revisions as different people (first my trusted beta readers, then, hopefully agents, and dare I say it, an editor) read and give feedback.

Thanks to everyone for all the kind comments on Facebook and for all the support you've given thusfar in my journey. It helps more than you know!

 

Eric Beetner and JB Kohl are the authors of One Too Many Blows to the Head and the recently released Borrowed Trouble. Just to get you in the mood, here is the trailer for Borrowed Trouble: 

Not bad, eh? This is a book I can’t wait to read.

Eric and I met at Left Coast Crime in Los Angeles in 2010 and have since become friends. To celebrate the release of Borrowed Trouble, we took some time out to chat about our writing processes.

Updated 1/19/11

Last week we got the news that the Mystery Bookstore in Westwood is closing on January 31. I am always sorry when I hear about an independent local business, especially a bookstore, closing, but this one hit me hard. It felt almost like a death, one that will take me a while to recover from.

I haven't said much about it since I heard the news, mostly because my life has been crazy for the past two weeks–so busy I haven't opened my laptop in over a week. But now that things have settled I have a chance to sit down and sort out my feelings. Except that's easier said than done.

Mb_talking
Talking with Kelli Stanley & Eric Beetner

Besides the initial shock and obvious sadness, I am left with a lingering anger and a tinge of resentment. But at what? Certainly not the Mystery Bookstore. They did everything they possibly could to boost sales and promote books. The community? Well, maybe a little. The Mystery Bookstore has a newsletter subscriber list of about 5000. If each of those subscribers ordered just one to three books from the store each year rather than taking the newsletter book recommendations and buying elsewhere, the Mystery Bookstore could probably stay in business.

The point isn't to flog those who make different purchasing decisions than I do. It's simply to say that when you value something, you sometimes have to make an effort to support it and nurture it.

As a book lover, I approach my book buying thusly: Any title I can get from the the Mystery Bookstore is purchased there. Titles that aren't available (those not in the mystery/thriller/suspense genres) I buy from Amazon or iBooks, usually as an eBook. I am an enthusiastic eBook reader, and I will continue to be. But I also continue to love paper books, and I always will–is it wrong for me to want (and expect) both?

The answer, unfortunately, seems to be yes. And this is, perhaps, what I am most angry and resentful about. The girl who always wants her cake and eat it too has at last been thwarted.

Mb_books
Of course, the sense of loss I feel is so much more than that. I know it is increasingly difficult for independent booksellers to compete, at least price-wise, with the Amazons of the world. But it is impossible for Amazon and the like to compete or, even come close to, what stores like the Mystery Bookstore offer: community, personalized service, book recommendations, a place to meet many different authors (not just the big names) in person… the list goes on. I can hardly believe that after January 31, I will no longer have the pleasure of sitting in that shop, listening to a new or favorite author read from their latest release.

More than once, I've had conversations with Bobby, Linda, and Pamela that resulted in me enthusiastically buying whatever book they were passionately recommending. It wasn't some website saying "If you like this, then you will like this." They are people who love books, who know I love books, and know what I like to read because they've taken the time to get to know me. And every recommendation was spot on.

Mb_holly_linda
Me & Linda Brown, assistant manager at the Mystery Bookstore

Lisa Lutz, Angela S. Choi, and Gregg Hurwitz can thank Linda for the new fan they have in me. Daniel Woodrell and Rebecca Cantrell can thank Bobby. I got to know Kelli Stanley, Stephen Jay Schwartz, Sue Ann Jaffarian, Rebecca Cantrell, Sophie Littlefield, and Eric Beetner at the shop, creating friendships that continue online and in person when we can. Most of the time, that personal contact is at the Mystery Bookstore. I got to be a fangirl when I met Lawrence Block and James Ellroy at the store. I was introduced to George Pellecanos, who is now one of my favorite writers.

And I dreamed of having my own book launch there.

For all of these reasons and more, the closing of the Mystery Bookstore is a big loss for me and for the crime fiction community, and one that I won't soon recover from. In the meantime, I hope to see you at their farewell party at 6pm on January 31.

If you're lucky enough to still have a beloved bookstore or other business in your community, please take a moment to consider the value, beyond prices or convenience, it brings to you and treat it accordingly.

Question_mark I had this idea to ask published authors random questions now and then, all geared toward aspiring authors like myself.

Today, Stephen Jay Schwartz, author of BOULEVARD and BEAT, was kind enough to answer one of my questions about his experience with getting published.

A bit of background: Stephen was the Director of Development for film director Wolfgang Petersen. He's also written screenplays, and worked as a "script doctor," along with many other accomplishments in film.

I asked Stephen: "Did your background in film help you land an agent and/or book deal?"

SJS: "My background in film helped only in that I took a rather aggressive approach to finding an agent. The film business is a bit dog-eat-dog, in case you haven't heard, and it's good prep for almost anything else you do in life. However, I didn't know any book agents and I had to begin at the beginning. I did a ton of research to determine who the great agents were and I went out to pursue them, sending my query letter and the first fifty or so pages of my manuscript. My experience in film did help validate me on paper–it let the agents know right away that I had a history working with story. So, it probably helped to get them to start reading my material. By the way, I've circled back a bit now. I've got a screenwriting assignment for an action feature. So, I hope to write the screenplay and two novels in 2011."

Good to know, Stephen! Thanks!